Artist Statement

My work explores the encounter between the precision of geometry and the vulnerability of emotion. Through color, light, and spatial composition, I examine how perception can become a bridge between what we see and what we feel. Each piece functions as a kind of architecture of sensitivity—where planes, shadows, and edges form a language that, while abstract, speaks to the human condition: memory, silence, revelation.

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Over time, my practice has evolved from a fascination with found objects and childhood memory to a more internal dialogue. Having worked across materials such as resin, fiberglass, concrete, and wood, I now use geometry itself as a mirror for self-examination. These works address the complexities of self-perception—how identity shifts between internal and external views, and how those perspectives coexist within structure and color.

In the studio, I build my compositions layer by layer, letting subtle variations in hue and line guide rhythm and tension. The resulting works invite a state of contemplation: not objects to be read, but spaces to inhabit. Ultimately, my practice is a search for equilibrium—between form and feeling, order and emotion, precision and presence.