Artist Statement

My work is rooted in a continuous search for balance between precision and spontaneity, stillness and movement, and the visible and the intangible. Through geometric abstraction, I explore how form, color, light, and space can communicate emotions and experiences that often resist words.

Although my visual language has evolved over the years, memory and nostalgia remain central to my practice. Earlier works approached these themes through figurative painting, found objects, and personal narratives. Today, geometry offers a different means of exploring those same concerns. What may initially appear to be an exercise in formal precision often begins with something deeply personal.

Working across painting, sculpture, and photographic processes, I am interested in the relationship between what exists physically and what we perceive. In my paintings on wood and linen, carefully constructed geometric planes, sharp edges, and subtle shifts in color and light create spatial relationships that challenge the boundaries of a flat surface. The compositions invite viewers to question where the image ends and the illusion begins.

Movement has become an increasingly important part of this exploration. My suspended aluminum mobiles introduce gravity, balance, and time into the work, allowing geometric forms to continually redefine their relationship with the surrounding space. In contrast, paintings from Las flores que nunca di create the illusion of physical presence through color, light, and shadow. One exists in actual space; the other asks the viewer to imagine it.

These investigations are not simply about optical effects or geometric relationships. They are also about the way we experience change, uncertainty, and the passage of time. I am drawn to the tension between the desire for order and the recognition that equilibrium is rarely permanent.

The process itself is an essential part of my practice. I spend considerable time observing how light transforms a surface, how one color alters another, and how the smallest adjustment can change the balance of a composition. I am equally interested in what happens when a work leaves the studio and encounters a different space, light, or viewer.

Ultimately, I do not see abstraction as something that needs to be decoded. I see it as an invitation to pause, observe, and discover. My work offers no fixed interpretation, but rather a space in which perception and emotion can coexist—and where something as seemingly simple as a geometric form can become a reflection of our own experiences.